E.M. Bannister (1828-1901)
River Twilight, 1886
Oil on canvas
10 x 14 inches

Richard Mayhew (1924-2024)
Untitled Landscape, 1969
Oil on canvas
24 x 24 inches

Andrew Wyeth (1917-2009)
Untitled (#m0756), 1939
Watercolor on paper
15 x 21 inches
Signed lower left and lower right: Andrew Wyeth

Andrew Wyeth (1917-2009)
Seated by a Tree, 1973
Drybrush watercolor on paper
27 7/8 x 21 1/2 inches
Signed at lower left: Andrew Wyeth

John Singer Sargent (1856-1925)
Woods in Maine, 1922
Watercolor on paper
13 1/4 x 20 1/2 inches
Signed and dated at lower left: John S. Sargent  1922

John Whorf (1903-1959)
Rolling from the East, Maine Coast, c. 1950
Watercolor on paper
21 1/8 x 29 3/8 inches
Signed at lower right:  John Whorf
Inscribed on verso:  19 Rolling from the East Maine Coast

Thomas Hart Benton (1885-1975)
Jessie on a Swing, 1940s
Inscribed on verso: Jessie
Oil on canvas
10 1/2 x 7 1/2 inches
Signed lower right: Benton

Irving Ramsey Wiles (1861-1948)
Seated Nude
Oil on panel, 14 1/4 x 11 3/4 inches
Signed lower right: Irving R. Wiles

William Zorach (1887-1966) 
Self-Portrait, Paris, 1911 
Oil on canvas 
21 x 18 inches 
Signed with artist’s monogram (lower left): WZ 

Stuart Davis (1892-1964)   
Rocky Neck, Gloucester, 1916 
Oil on canvas 
23 x 19 inches 
Signed and dated (lower right): Stuart Davis 1916 
Catalogue Raisonné No. 1392  

Ralston Crawford (1906-1978)
Coal Car, 1945
Gouache on paper,
8 x 12 inches
Signed lower left

Gertrude Greene (1904-1956)
7-019, 1937
Collage on paper
10 ¼ x 15 3/8 inches
Signed lower left of center 

Rockwell Kent (1882-1971)
Holsteinsborg, Afternoon, Greenland, 1929-1933
Oil on canvas
28 x 48 inches
Signed lower right

Allan Gould (1908-1988)
Wittenberg, NY, 1932
Oil on canvas
16 × 26 inches
Signed and dated lower left

Feeding Least Sandpiper Decoy
Southern New Jersey, circa 1900
Softwood, carved, original black bead eyes, original hardwood bill, original paint
5 x 6 1/2 x 1 inches
Mackey collection stamp on underside

Young Girl in Brown, circa 1830
Oil on panel
27 ½ x 23 5/8 inches

Romare Bearden (1911–1988)
The Open Door, circa 1979
Collage with paper, oil, gouache, and pencil on paperboard
8 ⅜ x 6 ¼ inches
Signed Romare Bearden, upper right; signed with initials RB and inscribed with title on the reverse

William Merritt Chase (1849-1916)
The Church of the Puritans, circa 1887
Oil on panel
10 ¼ x 16 inches
Signed lower left: Wm. M. Chase

Sanford Robinson Gifford (1823-1880)
Leander’s Tower on the Bosphorus, circa 1876
Oil on canvas
8 ⅝ x 16 ⅜ inches
Signed SR Gifford, lower right; signed again and inscribed with title on the reverse

John Marin (1870-1953)
From Brooklyn Bridge, 1913
Watercolor and pencil on paper
15 ⅝ x 18 ¾ inches
Signed Marin and dated 13, lower right; inscribed with title and N.Y. on the reverse

Max Weber (1881-1961)
The Sisters, 1917
Oil on canvas
35 x 20 inches

Winfred Rembert (1945-2021)
The Chain Gang in the Ditch, 2005
Dye on carved and tooled leather
40 x 28 inches
Signed lower right: Winfred Rembert

Chaim Gross (1902-1991)
Acrobatic Performers, 1942
Mahogany
37 1/4 x 15 3/8 x 6 5/8 inches
Signed and dated on base: CHAIM GROSS 1942

Hugo Robus (1885-1964)
The Horn Shop, 1919-20
Oil on canvas
25 x 32 inches
Signed verso: Hugo Robus

Eastman Johnson (1824-1906)
Wigwams, 1869
Alternate title: Kentucky Mountain Corn
Oil on artists board
8 ⅝ H. x 10 ⅞ W. inches
Signed and dated lower right:
E. Johnson / July / 1869
Titled verso in ink: Kentucky Mountain Corn

Andrew Wyeth (1917-2009)
Channel Bell, 1979
Watercolor on paper,
29 H. x 21 W. inches
Painted 1979, Southern Island, Maine
Signed lower right: Andrew Wyeth

Marsden Hartley (1877 – 1943)
Hondo & Rio Grande, 1918
Pastel on toned paper
17 H. x 27 W. inches
Signed, titled and dated lower left:
M. Hartley / Hondo & Rio Grande / 1918

John Quincy Adams Ward (1830-1910)
The Indian Hunter, 1860
Bronze, dark brown patina
16 ⅛ H. x 15 ⅛ W. x 9 ¾ D. inches
Signed on base: JQA. WARD / 1860
Inscribed on base: CAST BY THE HENRY BONNARD BRONZE CO. / NEW YORK 1894

Albert Bierstadt (1830-1902)
Sierra Nevada Mountains
Oil on canvas
19 x 28 inches
Signed lower left

Mabel Woodward (1877-1945)
Portsmouth Harbor, 1917
Oil on canvas
25 x 30 inches
Signed lower right

Adelaide Cole Chase (1868-1944)
Portrait of Mary Shippen Schenck
Oil on canvas
60 x 40 inches
Signed upper right

Walter Launt Palmer (1854-1932)
Winter Landscape
Watercolor and gouache on paper
29 3/4 x 14 7/8 inches
Signed lower left

Lilla Cabot Perry (1848–1933)
The Pink Beret, circa 1911–12
Oil on canvas
27 x 21 1/2 inches
Signed with initials over edge of stretcher: LCP

Winold Reiss (1886–1953)
Long Time River Woman (Blackfoot Maiden)
Mixed media on paper
29 1/2 x 21 1/4 inches
Signed at lower left: WINOLD / REISS

Albert Kotin (1907-1980)
Untitled, 1957
Oil on canvas
20 x 16 inches
Signed lower right: Kotin

Irene Monat Stern (1932-2010)
Convection Currents, circa 1970s
Acrylic on unprimed canvas
66 3/4 x 38 1/2 inches
Estate stamp on verso

Michael Goldberg (1924-2007)
Bourgeois Still Life, 1955
Oil on canvas
78 3/4 x 62 1/4 inches
Signed lower right: goldberg
Signed and dated verso: goldberg / '55
Titled on stretcher verso: 'BOURGEOIS STILL LIFE'

Joan Mitchell (1925-1992)
Pastel, 1991
Pastel on paper
22 3/4 x 15 1/2 inches

Francis Augustus Silva (1835-1886)
View on the Hudson, the Catskills in the Distance
Oil on canvas
12½ x 20¼ inches
Signed lower right: F.A. SILVA.

William Glackens (1870-1938)
Portsmouth Harbor, New Hampshire
Oil on canvas
25 x 30⅛ inches
Signed lower right: W. Glackens

Charles Burchfield (1893-1967)
Spring Rain in the Woods
Watercolor on paper
29 ¼ x 39 ½ inches (sight size)
Monogramed lower left: CEB

Theodore Robinson (1852-1896)
Union Square, Winter (Washington Monument)
Oil on canvas
18⅜ x 22⅜ inches

Virgin of Loreto (Nuestra Señora de Loreto)
Peruvian, Cuzco School, 18th Century
Oil on canvas
41 ⅛ x 61 ⅞ inches

The Holy Family and the Infant Saint John the Baptist Adoring the Sleeping Christ Child
Peruvian, likely Cuzco, mid-18th Century
Oil on canvas, unlined, on a strainer
In a magnificent gilt wood mirrored frame
37 x 50 inches overall

Charles Peale Polk (1767-1822)
Portrait of George Washington, c. 1790
Oil on canvas
32 ⅞ x 25 ¾ inches

Peruvian, Cuzco School, 18th Century
Young Christ Pricked by a Thorn (Niño de la Espina)
Oil on canvas

Daniel Ridgway Knight (1840-1924)
A Flowery Path (Louise), 1895
Oil on canvas, 32 x 25 1/2 inches
Signed at lower right: Ridgway Knight/ Paris

De Scott Evans (1847-1898)
Leave a Message
Oil on canvas
12 x 10 inches

Frederick de Bourg Richards
(American, born Germany, 1822-1903)
Landscape, 1868
Oil on prepared board
20 x 29 1/2 inches
Signed, dated, and inscribed at lower right: F. De B. Richards/Paris 1868

Carl John David Nordell (1885-1957)
Girl Peeling Lemons
Oil on canvas
39 X 32 inches

Charles Drogkamp (1883-1958)
Waterfront, New York
Oil on canvas
32 1/4 X 40 1/4 inches
Signed lower right: CHARLES DROGKAMP

John Whorf (1903-1959)
The Brooklyn Bridge, Evening
Watercolor on laid paper
16 ½  x 21 ¾  inches
Signed and dated upper right: (19)52

Emil Bisttram (1895-1976)
Abstract Composition, 1939
Encaustic on paper
14 x 11 inches
Signed and dated lower right: Bisttram 39 lower right

John Ferren (1905-1970)
Untitled, 1951
Casein on canvas
36 x 48 inches
Signed lower right

John Whorf (1903-1959)
View Through the Window, Provincetown
Watercolor on paper
15 ¼ x 22 ¼ inches
Signed on alternate composition verso

John F. Folinsbee (1892-1972)
Train Yard
Oil on canvas
32 ¼ x 40 ¼ inches
Signed lower right: John Folinsbee 1929-1930

Jane Peterson (1876-1965)
San Remo, Italy
Gouache and watercolor on paper
18 x 18 inches
Signed lower right: JANE PETERSON

Wolf Kahn (1927-2020)
Blue Runs Through It, 2004
Oil on canvas
26 x 30 inches
Signed lower center: W Kahn 2004

Karl Schrag (1912-1995)
Daybreak in the Forest
Oil on canvas
38 x 50 inches
Signed lower right: Karl Schrag